$14,999.00 $6,999.00

Figure FramedInternationally Known and Respected American Artist Paolo (Paul) Corvino* Signed and Dated (P Corvino 75) this Brilliant Abstract Figural, an Original Acrylic on Arches Textured White Paper. Color palette is very patriotic (plus a few other shades). Corvino’s “54” shows up here, center stage. Not sure of it’s significance but it shows up in several of his pieces. Image is sharp and bright (and quite interesting).

1 1/2″ Antiqued Silver moulding, Black Acid Free mat and glass are included complementary in this listing.
Image opening measures 21 X 29 1/2 and is in Very Good condition w/ 2 patches of light red pigment (bottom right and right of head) but they are the artist’s work.
Outside measure of the frame is 28 1/4 X 36 1/4 and is in Good condition.

Please carefully examine all images for condition.

Apologies for reflections or glare in images due to photographing under glass.

*Paolo “Paul” Corvino was born September 20, 1930 in Bronx, NY. He was a professional boxer turned artist. Many of his paintings and sculptures can been seen in public spaces, including terminals at JFK and LaGuardia airports, the Hermitage Museum in St. Petersburg, Russia, and the Museum of the City of New York. His works have been sold in fine galleries throughout the world including auctions at Sotheby’s and Christie’s. He is listed in Who’s Who of American Artist. He worked out of his gallery and studio in Larchmont, NY until his death on February 6, 2013.

The Paolo Studio was located north of NYC, in a gallery reminiscent of an old European studio where Impressionist artists in the 1800’s might easily have painted. The artist operated amid his own works, a true craftsman in more than four separate mediums, Oil on Canvas, Bronze Sculpture, Fresco and Watercolor among others. Different themes,he believes, require separate methods of expression. The artisan must follow the idea he wants to express and then identify the way in which to express it.

The artist is particularly prone to the appeal of the senses and of the immediate experience and observation. In fact, painting to him was an endless journey of research and experimentation. He never painted a picture with a view to simply producing a work of art. Instead, he continued to research and experiment, and in this constant inquiry logical developments emerged.